Scene in a Class
Two
boys sit across the room from each other. Mentor Teacher is speaking with a “Charlie Brown’s
teacher” voice. The boys glance back and forth, clearly disengaged from the
discussion, and making vague hand gestures to each other. Periodically, the
boys glance to the larger student beside one of them and laugh, making gestures
that may signify bullying of some kind and mouthing jokes to one another.
Lights
on the class cut to black, single spot on Mrs. Watkins. She breaks the fourth wall and looks frustratingly into the audience.
WATKINS: And in that moment, I felt
helpless. The class moved along without me, my mentor teacher explicating on
the complexities of assimilating to American culture, and yet I couldn’t get
past these two smug teenagers. You see, they sit right across from each other
in the u-shaped formation that I saw a diagram of in Core 1. Discipline for the Secondary Classroom
calls it “excellent for classroom discussion but an inefficient use of space,”
which I was beginning to take issue with. My mentor teacher, highly experienced
and innately confident, chose not to dignify them with a response, but I was
worried they were starting to attract attention. Do I step in and say
something? Let it be? My intervention came to me as an epiphany and at the time
felt brilliant. I meandered my way into the center of the U, nodding along with
the analysis and encouraging discussion, and just planted myself in the boys’
line of sight. I had magically dissipated the problem, and was thus a paragon
educator. Or was I? Because now, the boys were shifting left and right,
giggling at this new challenge to their little game. Students beside them were
watching my fleeting attempt to assert control and were completely checked out
of the lesson. As the bell rang, the class scurried away and my confidence felt
like the big swinging boat ride at the amusement park: moving from extreme high
to utter failure in a few sweeping seconds. But hey, that’s learning to teach,
I guess. You try, you experiment, and you realize what works and what doesn’t.
You show back up the next day and you try something new. These boys won’t
become my nemesis, nor will they be my defeat. They’ll be back with more games,
but I’ll be back too. And one day I’ll figure them out.
Thank you for writing this reflection, Claire. I enjoyed the way you framed it as a scene from a play and easily envisioned you facing the audience and giving them this monologue. A number of us have written in one form or another about our frustration over students' inattention and lack of engagement. I am making new observations about what works and what does not work each day. Sometimes after working to build relationships, engaging students using the mental personal profiles I'm forming for them, working through difficulties in the material or understanding, and appealing to their interests, I see students still on their phones or sleeping through class. At those moments I wonder if I will ever find a way to reach certain students, but I know I have to keep trying. Maybe they'll never fully engage or pass the class, but then maybe my attempts will be enough to keep someone going just because they know someone gives a damn.
ReplyDeleteClaire,
ReplyDeleteWhat a creative form of reflection! Teaching, in many ways is like being on stage, and you really captured that in your reflection. I loved the content you chose to focus on. When do you intervene? It's something I struggle with all the time, and you really brought that issue to life in this scenario. Students not paying attention, who don't respond to non verbal cues and are causing disturbances in the classroom. How do you fix the issue without disrupting class or taking attention away from your MT? Every situation is different, and learning how to deal with those things takes time and experience. I think that this issue is so relevant to all of us and its really nice to hear it from your view point. Thanks for such a great post!
Oh wow! That was very well done. I really love this format for a genre reflection (I may or may not want to steal this idea now)! The stage directions at the beginning are both comical and present the setup for something deeper in your thinking. It worked as both a classic representation of what stage direction does and also caused me to reflect inwardly myself! Very powerful stuff here. Another thing that really popped out for me was the imagery here. Even though this is in monologue form I could still feel the class room present. I pictured the staging to be something along the lines of how some companies will perform Shakespeare, where there are no props, there are no costumes (everyone in street clothes) and the scene is still painted in such a way that all the elements are still there! Nicely done, Claire!
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